Additionally, I also had a fret leveling and set up of Squire Strat which had just recently had Quartertone frets installed! The guitar itself, was second hand and was fitted out with the slightly odd frets buy a carpenter. The frets where fairly well fitted, but not leveled so required grinding and re polishing. The other major flaw with this guitar is mainly just that it needed a proper set up, the intonation was quite off, the neck seemed to have a slight kink and the action was set so high most of height adjustment screws were barely in the saddles and as a result, some were slightly bent. Fortunately, all of the screws went back in to the saddles and I was able to lower the action, this made the intonation issues instantly better! In addition to loosening the trussrod to match light gauge strings, the guitar was made highly more playable! The really interesting thing about this guitar was of course the additional 12 frets per octave. I am still reading about the uses of quartertone/microtonal guitars but it is my understanding that the origins of this increasingly popular modification come from Turkish music and that by retuning using quarternotes, you have access to a host of new scales. After leveling the frets, I fmput the guitar in to standard tuning, I found the new frets made conventional open chords and bar chords very difficult, however, when playing single notes and power chords, for my somewhat limited talent as a credible guitarist, came into it's own! Sure enough, this guitar modification has found a niche home as well with rock and metal players!
Friday, 19 July 2013
Back to work
Additionally, I also had a fret leveling and set up of Squire Strat which had just recently had Quartertone frets installed! The guitar itself, was second hand and was fitted out with the slightly odd frets buy a carpenter. The frets where fairly well fitted, but not leveled so required grinding and re polishing. The other major flaw with this guitar is mainly just that it needed a proper set up, the intonation was quite off, the neck seemed to have a slight kink and the action was set so high most of height adjustment screws were barely in the saddles and as a result, some were slightly bent. Fortunately, all of the screws went back in to the saddles and I was able to lower the action, this made the intonation issues instantly better! In addition to loosening the trussrod to match light gauge strings, the guitar was made highly more playable! The really interesting thing about this guitar was of course the additional 12 frets per octave. I am still reading about the uses of quartertone/microtonal guitars but it is my understanding that the origins of this increasingly popular modification come from Turkish music and that by retuning using quarternotes, you have access to a host of new scales. After leveling the frets, I fmput the guitar in to standard tuning, I found the new frets made conventional open chords and bar chords very difficult, however, when playing single notes and power chords, for my somewhat limited talent as a credible guitarist, came into it's own! Sure enough, this guitar modification has found a niche home as well with rock and metal players!
Labels:
Art,
Design,
guitar,
Guitar Design,
Lutherie
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